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  <id>tag:dreamwidth.org,2009-04-25:123741</id>
  <title>quillori</title>
  <subtitle>quillori</subtitle>
  <author>
    <name>quillori</name>
  </author>
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  <updated>2023-10-20T15:25:49Z</updated>
  <dw:journal username="quillori" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:33532</id>
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    <title>Dear Yulegoat 2023</title>
    <published>2023-10-17T10:39:29Z</published>
    <updated>2023-10-20T15:25:49Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#IG"&gt;In General&lt;/a&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#HP"&gt;Hypnerotomachia Poliphili&lt;/a&gt;&lt;br /&gt;&lt;a href="#TRW"&gt;The Reluctant Widow - Georgette Heyer&lt;a&gt;&lt;br /&gt;&lt;a href="#OON"&gt; كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liao Zhai Zhi Yi | Strange Tales from a Chinese Studio - Pu Songling&lt;/a&gt;&lt;br /&gt;&lt;a href="#TDF"&gt;Tang Dynasty RPF&lt;a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; Imhotep, Set (feel free to write about just one or the other - no need at all to include both)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="HP"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Hypnerotomachia Poliphili&lt;/strong&gt;&lt;/u&gt; -  Worldbuilding (Hypnerotomchia Poliphili)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Any world building expanding on the dream worlds would be very welcome, whether exploring them further, or explaining part of them, or imagining how they might seem to a different dreamer.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;The Reluctant Widow - Georgette Heyer&lt;/strong&gt;&lt;/u&gt; - Francis Cheviot&lt;br /&gt;&lt;br /&gt;&lt;small&gt;More Francis Cheviot! Going to his tailor, playing cards, spying, seducing French agents … anything at all.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt; Liao Zhai Zhi Yi | Strange Tales from a Chinese Studio - Pu Songling&lt;/strong&gt;&lt;/u&gt; - Worldbuilding (Strange Tales - Pu Songling)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Expand on one of Pu Songling's stories or tell one of your own. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TDF"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Tang Dynasty RPF&lt;/strong&gt;&lt;/u&gt; - Li He | Li Changji (Tang Dynasty RPF)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He’s | Li Ho’s poems, and what I would really love is a story where that imagery is real - where Li He’s | Li Ho’s life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/33532.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=33532" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:32907</id>
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    <title>Dear Yulegoat 2022</title>
    <published>2022-10-12T23:38:54Z</published>
    <updated>2022-10-21T00:14:18Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#IG"&gt;In General&lt;/a&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#HP"&gt;Hypnerotomachia Poliphili&lt;/a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Octopus People Paintings - Omar Rayyan&lt;a&gt;&lt;br /&gt;&lt;a href="#OON"&gt; كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liao Zhai Zhi Yi | Strange Tales from a Chinese Studio - Pu Songling&lt;/a&gt;&lt;br /&gt;&lt;a href="#TDF"&gt;Tang Dynasty RPF&lt;a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; Any (nominated characters are Imhotep and Set)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="HP"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Hypnerotomachia Poliphili&lt;/strong&gt;&lt;/u&gt; -  Worldbuilding (Hypnerotomchia Poliphili)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Any world building expanding on the dream worlds would be very welcome, whether exploring them further, or explaining part of them, or imagining how they might seem to a different dreamer.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Octopus People Paintings - Omar Rayyan&lt;/strong&gt;&lt;/u&gt; - Worldbuilding (Omar Rayyan Octopus People Paintings)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Octopus people in an underwater kingdom... so much potential for worldbuilding (a beautiful and unsettling world almost, but not quite, like ours), or for exploring what it might mean to be half octopus.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt; Liao Zhai Zhi Yi | Strange Tales from a Chinese Studio - Pu Songling&lt;/strong&gt;&lt;/u&gt; - Worldbuilding (Strange Tales - Pu Songling)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Expand on one of Pu Songling's stories or tell one of your own. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TDF"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Tang Dynasty RPF&lt;/strong&gt;&lt;/u&gt; - Li He | Li Changji (Tang Dynasty RPF)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He’s | Li Ho’s poems, and what I would really love is a story where that imagery is real - where Li He’s | Li Ho’s life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32907.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=32907" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:32625</id>
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    <title>Dear Worldbuilder</title>
    <published>2022-01-09T22:48:09Z</published>
    <updated>2022-01-14T18:31:24Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Dear Worldbuilder,&lt;br /&gt;&lt;br /&gt;I'm requesting:&lt;ul&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (&lt;span style="color:#9771B5"&gt;fic&lt;/span&gt; or &lt;span style="color:#7A89B8"&gt;meta&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Berenice; Esmeralda; Isaura&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (&lt;span style="color:#678975"&gt;art&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Berenice; Esmeralda&lt;/small&gt;&lt;/li&gt;&lt;li&gt;The Fisherman and the Jinni (1001 Nights) (&lt;span style="color:#9771B5"&gt;fic&lt;/span&gt; or &lt;span style="color:#7A89B8"&gt;meta&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt; Original Work - Pulp SF (&lt;span style="color:#9771B5"&gt;fic&lt;/span&gt; or &lt;span style="color:#7A89B8"&gt;meta&lt;/span&gt; or &lt;span style="color:#678975"&gt;art&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Omar Rayyan - Works (&lt;span style="color:#9771B5"&gt;fic&lt;/span&gt; or &lt;span style="color:#7A89B8"&gt;meta&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Li Ho | Lǐ Hè | Lǐ Chángjí - Works (&lt;span style="color:#9771B5"&gt;fic&lt;/span&gt; or &lt;span style="color:#678975"&gt;art&lt;/span&gt;)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;/ul&gt;Links to the relevant city descriptions can be found in the body of the Invisible Cities prompts, and a summary of the relevant points of the Fisherman and the Jinni story prefaces that prompt; links to some general information about Li Ho and his work can also be found at the relevant prompt. General fic, meta and art likes and DNWs at end of the letter.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/32625.html#cutid1"&gt;Enquire within for prompts&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=32625" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:31960</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/31960.html"/>
    <link rel="self" type="text/xml" href="https://quillori.dreamwidth.org/data/atom/?itemid=31960"/>
    <title>Dear Yulegoat 2021</title>
    <published>2021-10-22T16:34:45Z</published>
    <updated>2021-10-24T00:34:03Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#IG"&gt;In General&lt;/a&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Omar Rayyan Undersea Paintings&lt;a&gt;&lt;br /&gt;&lt;a href="#TRW"&gt;The Reluctant Widow - Georgette Heyer&lt;a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/31960.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; Imhotep, Set&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(Just one of the requested characters is fine for this request.) Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/31960.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Omar Rayyan - Undersea Paintings&lt;/strong&gt;&lt;/u&gt; - Spanish Mackerel&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Octopus people in an underwater kingdom... so much potential for worldbuilding (a beautiful and unsettling world almost, but not quite, like ours), or for exploring what it might mean to be half octopus.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/31960.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;The Reluctant Widow - Georgette Heyer&lt;/strong&gt;&lt;/u&gt; - Francis Cheviot&lt;br /&gt;&lt;br /&gt;&lt;small&gt;More Francis Cheviot! Going to his tailor, playing cards, spying, seducing French agents … anything at all.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/31960.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Worldbuilding&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Expand on one of Pu Songling's stories or tell one of your own. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/31960.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=31960" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:30774</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/30774.html"/>
    <link rel="self" type="text/xml" href="https://quillori.dreamwidth.org/data/atom/?itemid=30774"/>
    <title>Dear Yulegoat</title>
    <published>2020-10-10T23:24:41Z</published>
    <updated>2020-10-26T09:15:32Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#OON"&gt;Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;br /&gt;&lt;a href="#TDP"&gt;Tang Dynasty Poets RPF&lt;a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;a href="#IG"&gt;Likes and DNWs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30774.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TDP"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Tang Dynasty Poets RPF&lt;/strong&gt;&lt;/u&gt; - Lǐ Hè | Lǐ Chángjí | Li Ho&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He's poems, and what I would really love is a story where that imagery is real - where Li He's life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30774.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Retell one of Pu Songling's stories or tell one of your own. Play around with language and allusions or concentrate on plot or on character. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. If you want to stick to a single story, you could look at Shican and Huang's relationship in Cut Sleeve - there's a lot of emotional ground at the end of that story the remains unexamined. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30774.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30774.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=30774" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:30468</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/30468.html"/>
    <link rel="self" type="text/xml" href="https://quillori.dreamwidth.org/data/atom/?itemid=30468"/>
    <title>Dear Worldbuilder</title>
    <published>2020-01-15T23:03:03Z</published>
    <updated>2020-01-18T11:46:48Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Dear Worldbuilder,&lt;br /&gt;&lt;br /&gt;I'm requesting:&lt;ul&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Leandra; Isaura; Berenice&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Berenice; Esmeralda&lt;/small&gt;&lt;/li&gt;&lt;li&gt;The Fisherman and the Jinni (1001 Nights) (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt; Original Work - Pulp SF (fic or meta or art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Spanish Mackerel - Omar Rayyan (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;/ul&gt;Links to the relevant city descriptions can be found in the body of the Invisible Cities prompts, and a summary of the relevant points of the Fisherman and the Jinni story prefaces that prompt. General fic, meta and art likes and DNWs at end of letter.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30468.html#cutid1"&gt;Enquire within for prompts&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=30468" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:30277</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/30277.html"/>
    <link rel="self" type="text/xml" href="https://quillori.dreamwidth.org/data/atom/?itemid=30277"/>
    <title>Dear Yulegoat</title>
    <published>2019-10-25T17:14:05Z</published>
    <updated>2019-11-01T00:28:16Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#OON"&gt;Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;br /&gt;&lt;a href="#NWS"&gt;Northwest Smith - C. L. Moore&lt;/a&gt;&lt;br /&gt;&lt;a href="#TDP"&gt;Tang Dynasty Poets RPF&lt;a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Tea in the Tempest - Omar Rayyan&lt;/a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;a href="#IG"&gt;Likes and DNWs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; Imhotep, Set&lt;br /&gt;&lt;br /&gt;&lt;small&gt;(Just one of the requested characters is fine for this request.) Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TDP"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Tang Dynasty Poets RPF&lt;/strong&gt;&lt;/u&gt; - Li Ho | Li He&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He's poems, and what I would really love is a story where that imagery is real - where Li He's life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Tea in the Tempest - Omar Rayyan&lt;/strong&gt;&lt;/u&gt; &lt;br /&gt;&lt;br /&gt;&lt;small&gt;Just tell me anything about this painting - how they ended up in this situation, what happens next, who they all are...&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="NWS"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Northwest Smith - C. L. Moore&lt;/strong&gt;&lt;/u&gt; - Northwest Smith, Yarol&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I would love anything at all about Yarol, whether something plotty, or a more introspective character piece, or backstory. As well, or even alternatively, I'd love anything that shares my fascination with exploring the world C.L. Moore created.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Retell one of Pu Songling's stories or tell one of your own. Play around with language and allusions or concentrate on plot or on character. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. If you want to stick to a single story, you could look at Shican and Huang's relationship in Cut Sleeve - there's a lot of emotional ground at the end of that story the remains unexamined. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30277.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=30277" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:30077</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/30077.html"/>
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    <title>Trick Or Treat Letter</title>
    <published>2019-09-11T21:54:35Z</published>
    <updated>2019-09-12T00:33:30Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm also Quillori on AO3. All requests are equally open to trick or treat.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid1"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid2"&gt;Les Contes d'Hoffmann&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid3"&gt;Gene Wolfe Pastiche #12 - Adam Stemple (Song)&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid4"&gt;Omar Rayyan - Works&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid5"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/30077.html#cutid6"&gt;In General&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Things I’d prefer you avoided: I’m not terribly keen on mpreg (or really any pregnancy or baby centred stories); watersports, scat, vomit, or excessive gore (a little bloodplay is fine);  humiliation; or stories told in the 2nd person, and I do have something of an embarrassment squick. Other than that, I'm prepared to be convinced by whatever kink you want to write, at least for the length of a story.  Oh, all right, I also don't tend to like issuefic, but I'm not sure that's something people generally set out to write - one person's issuefic is another's searingly honest portrayal. For art, I'm not generally as fond of neons, pastels or deliberately clashing colours.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=30077" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:29882</id>
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    <title>Jukebox Letter</title>
    <published>2019-04-04T00:57:45Z</published>
    <updated>2019-04-04T01:53:39Z</updated>
    <category term="jukebox fest"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm also Quillori on AO3.&lt;br /&gt;&lt;br /&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying to do something that doesn't suit you to fit what I asked for - optional details really are entirely optional here. I'm most interested in what you make of the song. (Gen, m/f, m/m and f/f are all equally welcome. I've only asked for fic this year, although art treats are always welcome. So, as always, is IF.) &lt;br /&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/29882.html#cutid1"&gt;Le Roi d’Aquitaine&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/29882.html#cutid2"&gt;The Enchantment&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/29882.html#cutid3"&gt;Vèntô Aquilònê&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/29882.html#cutid4"&gt;In General&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=29882" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:29461</id>
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    <title>Invisible Cities: Isaura</title>
    <published>2019-01-19T02:00:55Z</published>
    <updated>2019-01-19T02:10:21Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Isaura, city of the thousand wells, is said to rise over a deep, subterranean lake. On all sides, wherever the inhabitants dig long vertical holes in the ground, they succeed in drawing up water, as far as the city extends, and no father. Its green border repeats the dark outline of the buried lake; an invisible landscape conditions the visible one; everything that moves in the sunlight is driven by the lapping wave enclosed beneath the rock's calcareous sky.&lt;br /&gt;&lt;br /&gt;Consequently, two forms of religion exist in Isaura.&lt;br /&gt;&lt;br /&gt;The city's gods, according to some people, live in the depths, in the black lake that feeds the underground streams. According to others, the gods live in the buckets that rise, suspended from a cable, as they appear over the edge of the wells, in the revolving pulleys, in the windlasses of the norias, in the pump handles, in the blades of the windmills that draw the water up from the drillings, in the trestles that support the twisting probes, in the reservoirs perched on stilts over the roofs, in the slender arches of the aqueducts, in all the columns of water, the vertical pipes, the plungers, the drains, all the way up to the weathercocks that surmount the airy scaffoldings of Isaura, a city that moves entirely upward.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=29461" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:29398</id>
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    <title>Invisible Cities: Esmeralda</title>
    <published>2019-01-19T01:58:32Z</published>
    <updated>2019-01-19T02:10:11Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">In Esmeralda, city of water, a network of canals and a network of streets span and intersect each other. To go from one place to another you have always the choice between land and boat: and since the shortest distance between two points in Esmeralda is not a straight line but a zigzag that ramifies in tortuous optional routes, the ways that open to each passerby are never two, but many, and they increase further for those who alternate a stretch by boat with one on dry land.&lt;br /&gt;&lt;br /&gt;And so, Esmeralda's inhabitants are spared the boredom of following the same streets every day. And that is not all: the network of routes is not arranged on one level, but follows instead an up-and-down course of steps, landings, cambered bridges, hanging streets. Combining segments of the various routes, elevated or on ground level, each inhabitant can enjoy every day the pleasure of a new itinerary to reach the same places. The most fixed and calm lives in Esmeralda are spent without any repetition.&lt;br /&gt;&lt;br /&gt;Secret and adventurous lives, here as elsewhere, are subject to greater restrictions, Esmeralda's cats, thieves, illicit lovers move along higher, discontinuous ways, dropping from a rooftop to a balcony, following gutterings with acrobats' steps. Below, the rats run in the darkness of the sewers, one behind the other's tail, along with conspirators and smugglers: they peep out of manholes and drainpipes, they slip through double bottoms and ditches, from one hiding place to another they drag crusts of cheese, contraband goods, kegs of gunpowder, crossing the city's compactness pierced by the spokes of underground passages.&lt;br /&gt;&lt;br /&gt;A map of Esmeralda should include, marked in different colored inks, all these routes, solid and liquid, evident and hidden. It is more difficult to fix on the map the routes of the swallows, who cut the air over the roofs, dropping long invisible parabolas with their still wings, darting to gulp a mosquito, spiraling upward, grazing a pinnacle, dominating from every point of their airy paths all the points of the city.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=29398" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:29072</id>
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    <title>Worldbuilding Exchange Letter</title>
    <published>2019-01-19T01:24:08Z</published>
    <updated>2019-01-19T02:27:32Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Dear Worldbuilder,&lt;br /&gt;&lt;br /&gt;I'm requesting:&lt;ul&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Esmeralda; Isaura&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Berenice; Esmeralda&lt;/small&gt;&lt;/li&gt;&lt;li&gt;The Fisherman and the Jinni (1001 Nights) (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Original Work (fic or meta or art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Spanish Mackerel - Omar Rayyan (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;/ul&gt;Links to the relevant city descriptions can be found in the body of the Invisible Cities prompts, and a summary of the relevant points of the Fisherman and the Jinni story prefaces that prompt.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/29072.html#cutid1"&gt;Enquire within for prompts&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=29072" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:28263</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/28263.html"/>
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    <title>Dear Yulegoat</title>
    <published>2018-09-21T14:36:58Z</published>
    <updated>2018-10-05T16:28:26Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;All fandoms are definitely equally wanted - some of my older requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the more recent ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#LCI"&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;a&gt;&lt;br /&gt;&lt;a href="#OON"&gt;Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Omar Rayyan - Works&lt;/a&gt;&lt;br /&gt;&lt;a href="#TRW"&gt;The Reluctant Widow - Georgette Heyer&lt;/a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;a href="#IG"&gt;Likes and DNWs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; - Any (Anubis, Imhotep, Set, Thoth)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or Thoth/Imhotep, or Thoth&amp;Set (or indeed Thoth/Set), or anything about Thoth and &lt;i&gt;his&lt;/i&gt; worshipers, or the scribes under his protection. Or Anubis in his role as guide to the soul. A story directly about the god/s, or how their presence speaks to their followers, or a story where their presence hovers always around the edges. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="LCI"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/strong&gt;&lt;/u&gt; - Berenice, Euphemia&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Tell me something about the trade in memories, or about the entwined decadence and puritanism of Berenice. Or world building about the history or culture of either city. Or the diplomatic relations between cities. (Writing about either city is fine - you don't have to include them both.)&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Omar Rayyan - Works&lt;/strong&gt;&lt;/u&gt; - Spanish Mackerel&lt;br /&gt;&lt;br /&gt;&lt;small&gt;A young princess or noblewoman of an underwater kingdom... so much potential for worldbuilding (a beautiful and unsettling world almost, but not quite, like ours), for exploring what it might mean to be half octopus, for the story of the young girl and her future role.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;The Reluctant Widow - Georgette Heyer&lt;/strong&gt;&lt;/u&gt; - Francis Cheviot&lt;br /&gt;&lt;br /&gt;&lt;small&gt;More Francis Cheviot! Going to his tailor, playing cards, spying, seducing French agents … anything at all.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Retell one of Pu Songling's stories or tell one of your own. Play around with language and allusions or concentrate on plot or on character. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. If you want to stick to a single story, you could look at Shican and Huang's relationship in Cut Sleeve - there's a lot of emotional ground at the end of that story the remains unexamined. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28263.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=28263" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:28072</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/28072.html"/>
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    <title>Treak or Treat Letter</title>
    <published>2018-08-26T16:49:42Z</published>
    <updated>2018-09-11T14:58:01Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm also Quillori on AO3. All requests are for fic and are equally open to trick or treat.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid1"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid2"&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid3"&gt;Les Contes d'Hoffmann&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid4"&gt;Omar Rayyan - Works&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid5"&gt;كتاب ألف ليلة وليل | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid6"&gt;Reynardine - Traditional Ballad&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/28072.html#cutid7"&gt;In General&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=28072" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:27772</id>
    <link rel="alternate" type="text/html" href="https://quillori.dreamwidth.org/27772.html"/>
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    <title>Jukebox Letter</title>
    <published>2018-04-03T00:14:51Z</published>
    <updated>2018-04-12T01:57:32Z</updated>
    <category term="jukebox fest"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm also Quillori on AO3.&lt;br /&gt;&lt;br /&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying to do something that doesn't suit you to fit what I asked for - optional details really are entirely optional here. I'm most interested in what you make of the song. (Gen, m/f, m/m and f/f are all equally welcome. I've only asked for fic this year, although art treats are always welcome. So, as always, is IF.) &lt;br /&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/27772.html#cutid1"&gt;J’ai vu le loup, le renard chanter&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/27772.html#cutid2"&gt;Le Roi d’Aquitaine&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/27772.html#cutid3"&gt;The Enchantment&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/27772.html#cutid4"&gt;Vèntô Aquilònê&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;hr&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/27772.html#cutid5"&gt;In General&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=27772" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:27522</id>
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    <title>quillori @ 2007-01-29T14:53:00</title>
    <published>2018-03-29T12:55:04Z</published>
    <updated>2018-03-29T12:55:43Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">The lyrics translated into English:&lt;br /&gt;&lt;br /&gt;A grey duck, a blue duck, a white duck...&lt;br /&gt;    The grey one walks behind the the blue one ahead.&lt;br /&gt;    The white one is the biggest, I'll sell it for twenty francs.&lt;br /&gt;    The blue one is quite small, I'll sell it for six francs.&lt;br /&gt;&lt;br /&gt;    The King of Aquitaine,&lt;br /&gt;    if he comes to the market&lt;br /&gt;    to serve the queen,&lt;br /&gt;    he'll send for me.&lt;br /&gt;    The King of Aquitaine&lt;br /&gt;    will take my hand.&lt;br /&gt;    Too bad for the queen,&lt;br /&gt;    tomorrow.&lt;br /&gt;&lt;br /&gt;    A grey prince, a blue prince, a white prince...&lt;br /&gt;    The white one has rubies, and the blue, diamonds.&lt;br /&gt;    The grey one has his crown and his sword at his side.&lt;br /&gt;    The blue loves me the best, and I love best the white.&lt;br /&gt;&lt;br /&gt;    The King of Aquitaine,&lt;br /&gt;    if he comes to the market&lt;br /&gt;    to serve the queen,&lt;br /&gt;    he'll send for me.&lt;br /&gt;    The King of Aquitaine&lt;br /&gt;    will take my hand.&lt;br /&gt;    Too bad for the queen,&lt;br /&gt;    tomorrow.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;    The lyrics as sung (in French):&lt;br /&gt;&lt;br /&gt;    Un canard gris, un canard bleu, un canard blanc...&lt;br /&gt;    Le gris marche derrière et le bleu va devant.&lt;br /&gt;    C'est le blanc le plus gros, je le vendrai vingt francs.&lt;br /&gt;    Le bleu est tout petit, je le vendrai six francs.&lt;br /&gt;&lt;br /&gt;    Le Roi d'Aquitaine,&lt;br /&gt;    s'il vient au marché&lt;br /&gt;    pour servir la Reine,&lt;br /&gt;    m'enverra chercher.&lt;br /&gt;    Le Roi d'Aquitaine&lt;br /&gt;    me prendra la main.&lt;br /&gt;    Tant pis pour la Reine,&lt;br /&gt;    demain.&lt;br /&gt;&lt;br /&gt;    Un prince gris, un prince bleu, un prince blanc...&lt;br /&gt;    Le blanc a des rubis et le bleu des diamants.&lt;br /&gt;    Le gris a sa couronne et son épée au flanc.&lt;br /&gt;    Le bleu m'aime le mieux et j'aime mieux le blanc.&lt;br /&gt;&lt;br /&gt;    Le Roi d'Aquitaine,&lt;br /&gt;    s'il vient au marché&lt;br /&gt;    pour servir la Reine,&lt;br /&gt;    m'enverra chercher.&lt;br /&gt;    Le Roi d'Aquitaine&lt;br /&gt;    me prendra la main.&lt;br /&gt;    Tant pis pour la Reine,&lt;br /&gt;    demain.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=27522" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:27167</id>
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    <title>Enchantment Lyrics</title>
    <published>2018-03-29T12:51:24Z</published>
    <updated>2018-03-29T12:52:49Z</updated>
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    <content type="html">&lt;b&gt;The Enchantment&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;A note on the lyrics: they are widely available online, but I suspect they're all copied from the same place, because they all appear to have the same two errors in them: they all have 'rain castle' where Chandra sings 'green castle' (which is a known variant and also makes complete sense for both a bandit in the mountains and a fox or nature spirit), and the rather trite 'beyond the mortal life', rather than 'beyond the mortal line'.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;The lyrics Chandra actually sings them:&lt;blockquote&gt;&lt;br /&gt;&lt;br /&gt;He said my pretty fair maid&lt;br /&gt;I'm glad to meet you here&lt;br /&gt;For it's on this lonely mountain&lt;br /&gt;Your beauty, your beauty shines&lt;br /&gt;Your beauty shines so&lt;br /&gt;Your beauty shines so clear&lt;br /&gt;&lt;br /&gt;And if perchance you ask for me&lt;br /&gt;Perhaps you'll not me find&lt;br /&gt;But I'll be in my green castle&lt;br /&gt;All on the mountains high&lt;br /&gt;&lt;br /&gt;He said my pretty fair maid&lt;br /&gt;I'm glad to meet you&lt;br /&gt;But I'll be in my green castle&lt;br /&gt;Your beauty shines so clear&lt;br /&gt;Your beauty shines so clear&lt;br /&gt;&lt;br /&gt;Sun and dark, sun and dark&lt;br /&gt;Sun and dark she followed him&lt;br /&gt;Over the mountains high&lt;br /&gt;Sun and dark she followed him&lt;br /&gt;For his eyes so bright did shine&lt;br /&gt;And he led her over the mountain&lt;br /&gt;Beyond the mortal line&lt;br /&gt;&lt;br /&gt;If perchance you ask for me&lt;br /&gt;You'll not me find, you'll never me find&lt;br /&gt;And she followed him&lt;br /&gt;For his eyes so bright did shine&lt;br /&gt;And he led her over the mountain&lt;br /&gt;Beyond the mortal line.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=27167" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:26807</id>
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    <title>Wordbuilder Letter</title>
    <published>2018-01-14T19:59:26Z</published>
    <updated>2018-01-19T14:23:38Z</updated>
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    <content type="html">Dear Worldbuilder,&lt;br /&gt;&lt;br /&gt;I'm requesting:&lt;ul&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Euphemia&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Le città invisibili | Invisible Cities - Italo Calvino (art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s); Euphemia; Fedora&lt;/small&gt;&lt;/li&gt;&lt;li&gt;The Fisherman and the Jinni (1001 Nights) (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Original Work (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Original Work (art)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;li&gt;Spanish Mackerel - Omar Rayyan (fic or meta)&lt;br /&gt;&lt;small&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspAny or No Characters; Original Character(s)&lt;/small&gt;&lt;/li&gt;&lt;/ul&gt;Links to the relevant city descriptions can be found in the body of the Invisible Cities prompts, and a summary of the relevant points of the Fisherman and the Jinni story prefaces that prompt.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;fic&lt;/b&gt; or &lt;b&gt;meta&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s); Euphemia&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Inter-city Diplomacy&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Trade&lt;br /&gt;&lt;br /&gt;Tell me in particular about &lt;a href="http://quillori.dreamwidth.org/23322.html"&gt;Euphemia&lt;/a&gt;, where traders come four times a year, not only to trade in market goods, but to trade their own memories. How does that work? How did it come to start? Who wants to trade their memories and why? What is it like to have memories not your own? What do the townspeople make of the traders? Do they ever take part themselves?&lt;br /&gt;&lt;br /&gt;Or, more generally, tell me what sort of interactions are there between the cities? What is it like to go as a diplomat from one to another, or as a merchant? Which cities are allies, enemies, trading partners? Does one city have factions that disagree on what the relations should be with another city? Does one city have an embassy in another, and what is it like?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;art&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s); Euphemia; Fedora&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;b&gt;WB: Architecture&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Maps&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Miniature Models&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I'd love to see a map - what sort of map includes both Fedora and the miniatures, or describes a city where the mapper's memory may in fact be of somewhere else entirely? Or show me any of the architecture, whether the grey stone of &lt;a href="http://quillori.dreamwidth.org/22947.html"&gt;Fedora&lt;/a&gt;, with its metal museum, or any of the cities, nominated or not. Or those miniature models in Fedora - I'd love to see one or more of them, or how they're made, or where they're displayed, or how they are similar to and contrast with the city of Fedora. &lt;br /&gt;&lt;br /&gt;(This exchange is OR matching - I've provided prompts that match the worldbuilding tag with the obvious city, but if you signed up with a clever idea about e.g. miniature models in Euphemia, or a map of some other city entirely, I look forward to seeing it.)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;The Fisherman and the Jinni (1001 Nights)&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;fic&lt;/b&gt; or &lt;b&gt;meta&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s)&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;b&gt;WB: History of the coloured fish&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Canon: Can be found online in various translations (e.g. &lt;a href="http://www.wollamshram.ca/1001/Dixon/dixon02_19.htm"&gt;here&lt;/a&gt; - the relevant part for this requests starts with the words 'They passed by the town, and came to the top of a mountain'). Different versions have slightly different details, but the main points are:&lt;ul&gt;&lt;br /&gt;  &lt;li&gt;The fisherman, having rescued a Jinn convinces it to reward him, and is taken to a lake in a barren landscape and told he may cast his net there once, and only once, a day. The lake is quite nearby, but no one has ever seen or heard of it before.&lt;/li&gt;&lt;br /&gt;  &lt;li&gt;Each cast, he catches four fish, very striking and lovely and of different colours: one white, one red, one blue and one yellow.&lt;/li&gt;&lt;br /&gt;  &lt;li&gt;He presents them to the local king, who gives them to a slave to fry. When the slave turns them over in the pan a beautiful woman appears, sticks a wand into the pan, and asks the fish if they have kept faith with her - the fish reply that they have. (Some versions have a slightly longer and more detailed dialogue.) She then strikes the pan, knocking the fish into the fire, and vanishes.&lt;/li&gt;&lt;br /&gt;  &lt;li&gt;The same thing happens a second time, watched by the vizier. The third time, watched by the king, much the same thing happens, except this time it is a tall negro with a green twig.&lt;/li&gt;&lt;br /&gt;  &lt;li&gt;The king learns that some time previously the king of another kingdom (the Black Isles), discovering that his wife was having an affair, secretly attacked her lover (a negro slave) and almost killed him. Some time later his wife discovered that he was the one who had carried out the attack, and cursed him to become half stone, also turning the kingdom into a lake and the citizens into fish.&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;There are so many questions here. It seems possible that the different coloured fish represent the different religious communities, since the queen is specifically described as transforming the Muslims, Jews, Christians and heathens. And one might presume the beautiful woman who appears with the wand is the magician-queen, since it would make sense that the woman who appears is the woman who originally turned them into fish, but of course it might not be. And what faith exactly are they keeping with her, whoever she is, and what faith is she keeping with them? Why does she turn up only when they are being cooked, and what purpose is there in overturning the pan - it's not as though she frees them, or returns them to the lake, despite the fact they claim to have kept faith with her. And who is the man who comes on the last occasion? Is he the queen's lover? But then, he is supposed to be lying ill and injured, barely alive, not striding around interrogating fish. So, what is the significance of the different colours, who is the woman, and who is the man, what bond are they keeping, how is it related to attempts to cook the fish, and how did they all end up in this situation? &lt;br /&gt;&lt;br /&gt;Obviously there are any number of fic possibilities here. For meta, you could write an extract from a history book, or perhaps from a magic book explaining how that sort of spell works. Or reports to some foreign ruler from his spies or diplomats about what the hell is going on (a new kingdom suddenly appears! Right where an old one vanished and no one seemed to notice!). Or a collection of snippets from different sources (books of different sorts, personal letters, official reports, folk tales, songs, etc) offering different points of view. (I'd be fascinated to have all my questions answered, but I'll happily settle for some things left a mystery, if that fits what you're writing better.)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;Original Work&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;fic&lt;/b&gt; or &lt;b&gt;meta&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s)&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;b&gt;WB: Folk religion (Original Work - Fantasy)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Planetary cultures (Original Work - Pulp SF)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;For &lt;b&gt;Folk religion - Fantasy&lt;/b&gt;: Fantasy often deals with formal religion, with powerful churches, or the decrees and prophecies of gods, but what is it like and a more personal, day-to-day basis, for those who are not caught up in such great matters? In our world, people believed in local gods, in spirits of the hearth, the byre, the forest, in minor supernatural creatures, helpful or baleful as the case may be, in little rituals and local taboos. Does it make a difference if people are living in a world where minor supernatural creatures really do exist? What is that &lt;i&gt;like&lt;/i&gt;?&lt;br /&gt;&lt;br /&gt;For &lt;b&gt;Planetary cultures - Pulp SF&lt;/b&gt;: Ah, the good old days when all the planets (and probably the moons, and possibly any decent sized asteroid) were perfectly habitable, without any particular problems with gravity or atmosphere or radiation. And I &lt;i&gt;loved&lt;/i&gt; it. I loved the sense of wonder, of endless possibility, the sheer playfulness with which real world elements could be remixed into a kaleidoscope of foreign worlds, the never-ending possibilities for exploration and discovery. So, what sort of ships ply the Venusian seas? Are there cities of ice on frozen Neptune? What sort of trade once followed the canals of Mars? Are there strange forests on Saturn? Tell me something about some other world, about its ecology, its people, its scenery; about its nomads or its city-dwellers; its rich perfumes or strange foods; its religion or its arts... &lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;Original Work&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;art&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s)&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;b&gt;WB: Planetary cultures (Original Work - Pulp SF)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;See above for what I love about this prompt. Artwise, I was thinking particularly of architecture or landscape, with a sense of grandeur, or wonder, or playful invention. But I'm also very fond of ships, whether at sea or in port (or airships); also of marketplaces, or of city scenes in general (a view of a famous and important monument/building, or of the tiny lanes in a poorer quarter, or unusual building types, or the shopping district, or of people using whatever transport system there is, etc). You could also do illustrations from a book on zoology or botany. Or a map - you know the very old maps, with monsters filling in the uncharted areas? Except they'd be different monsters of course, and everything drawn in a different style - why should a Venusian map look like a medieval European map?&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;Spanish Mackerel - Omar Rayyan&lt;/u&gt;&lt;/b&gt; (&lt;b&gt;fic&lt;/b&gt; or &lt;b&gt;meta&lt;/b&gt;)&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&lt;small&gt;Any or No Characters; Original Character(s)&lt;/small&gt;&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Underwater World&lt;br /&gt;&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbsp&amp;nbspWB: Squid-people culture&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The fishes made wailing cries&lt;br /&gt;At the wild weather&lt;/i&gt;&lt;br /&gt;&lt;small&gt;&lt;i&gt;The Dream of King Don Rodrigo&lt;/i&gt; Anon, trans W.S Merwin&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;What is the poetry and literature like in this underwater world? The music? What are the cities like - the architecture, the markets, the homes? Or, focusing on the 'people' - they seem to be part octupus: supposing the way they think and understand the world is as much like the way an octopus does as the way we do. And octopuses are downright &lt;i&gt;weird&lt;/i&gt;. What would the world look like to something part octopus?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;In General&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Meta&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;I don't think you can go wrong here, actually. Travel guides, history books, spell books, academic works, folksongs, letters, anything and everything. If you're wondering if I'll like your idea, the answer is yes, yes I will. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Fic&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;If you're writing fic and want ideas for the non-worldbuilding elements of your story, I like: established relationships, clever and competent characters, witty banter, slash (incl. femslash), political intrigue, moral ambiguity, apparently simple conversations with a great deal going on under the surface, angst if done with restraint, metaphor, clever use of literary allusions, relationships where each party thinks the other has all the power. Fierce loyalty (the tear the world apart for you variety, not the sit here passively putting up with anything variety), complicated love/hate relationships with lots of backstory, unflappable characters, arrogance if the party concerned has the requisite ability to back it up, committed partnerships between people who see the world at the same angle (even if they aren't always on the same side) ...&lt;br /&gt;&lt;br /&gt;IF is always welcome (though for this exchange probably a great deal too much work to do on top of the world building).&lt;br /&gt;&lt;br /&gt;Things I’d prefer you avoided: I’m not terribly keen on stories focused on pregnancy or children, humiliation, or stories told in the 2nd person, and I do have something of an embarrassment squick. Oh all right, I also don't tend to like issuefic, but I'm not sure that's something people generally set out to write - one person's issuefic is another's searingly honest portrayal. (This is my usual DNW list, but perhaps, just this once, and with particular reference to the Pulp SF prompt, I might stress that I really, really do not want issuefic for this exchange.)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Art&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;One reason I never ask for art is because I fear I don't know how to prompt well for it. But it seemed such a shame not to ask for it for this exchange, when there was so much art I'd love for it - I can only apologise, however, and ask your indulgence if my art requests are confusing or unhelpful or poorly phrased.&lt;br /&gt;&lt;br /&gt;Examples of things I like (this part is probably poorly phrased! I've tried to indicate examples of what I mean, but they may not have made anything clearer.)&lt;br /&gt;&lt;br /&gt;A sense of detail and precision (e.g. illustrations in late Victorian children's books; botanical sketches; complicated repeating patterns; Indian and Persian miniatures; bird-and-flower paintings, particularly of the gongbi school)&lt;br /&gt;&lt;br /&gt;Conversely, also bold and simple (particularly if black and white, or black, white and one other colour, and more graceful, sinuous lines, rather than angular or blocky), or with some parts trailing off into misty imprecision (e.g. Song dynasty landscape painting), or merely an impression created by a few brushstrokes.&lt;br /&gt;&lt;br /&gt;Colour schemes either fairly muted, or with rich jewel tones, but generally not neons, pastels or deliberately clashing colours.&lt;br /&gt;&lt;br /&gt;Play of light and shadow, especially in black and white works.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=26807" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:26575</id>
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    <title>Yuletide Recs</title>
    <published>2017-12-31T03:39:39Z</published>
    <updated>2017-12-31T03:39:39Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">Hereunder, my traditional ‘don’t really need to know the canon’ rec set, including the remarkable number of stories written for me in some of my favourite fandoms. (Seven of them, can you believe it? I don't know what I did to deserve it. Particularly because they're all good, and I'd be reccing them even if they weren't for me.)&lt;br /&gt;&lt;br /&gt;In some cases, knowing the canon makes these even better, but it isn’t necessary:&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13120302"&gt;As Ice in the Desert&lt;/a&gt;&lt;br /&gt;12th Century CE RPF, Richard I/Saladin&lt;br /&gt;An appropriately fever-dream atmosphere, short but good.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archiveofourown.org/works/12815676/chapters/29257119"&gt;The Awen&lt;/a&gt;&lt;br /&gt;Llyfr Taliesin | Book of Taliesin, Welsh Literary Criticism RPF &lt;br /&gt;Worth reading if you’re interested in writing, or poetry, or art, even if you know nothing of the fandoms.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13047243"&gt;Cut-and-Dried Sleeve&lt;/a&gt;&lt;br /&gt;Liáo zhāi zhì yì | Strange Tales from a Chinese Studio - Pú Sōnglíng&lt;br /&gt;Because I am very lucky, three people wrote me Strange Tales fic - I will succeed in making this a popular fandom yet! This story about Wei (or possibly Li, or maybe Cao) captures the tone - one of the tones - of the original brilliantly. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13137825"&gt;FoxGhost&lt;/a&gt;&lt;br /&gt;Liáo zhāi zhì yì | Strange Tales from a Chinese Studio - Pú Sōnglíng&lt;br /&gt;And this is why I keep encouraging people to write for this fandom. Above, a story that catches something of the humour of the original. Here, a beautiful, disturbing poem that is equally fitting. Even if you don't normally expect poetry from Yuletide, this is really worth reading.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/collections/yuletide2017/works/13072275"&gt;From the beast she pulls a lover&lt;/a&gt;&lt;br /&gt;Lady in Furs - Omar Rayyan&lt;br /&gt;Appropriate worldbuilding, fitting the art well. (For a different take, see also the Yuletide Madness story &lt;a href="https://archiveofourown.org/works/13147671"&gt;Potsunder Allgemeine, 13/24/579&lt;/a&gt;.)&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13124298"&gt;The Scholar's Wife&lt;/a&gt;&lt;br /&gt;Liáo zhāi zhì yì | Strange Tales from a Chinese Studio - Pú Sōnglíng&lt;br /&gt;Also written for me, this is a really charming story, in which everyone behaves admirably and gets the ending they deserve - it fits in well with some of the happy stories in the tales.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://archiveofourown.org/works/12361551"&gt;Invisible Banquets: A Tasting Menu&lt;/a&gt;&lt;br /&gt;Invisible Cities - Italo Calvino&lt;br /&gt;Absolutely brilliant pastiche. I’m a little biased, since it does so many of the things I like best in a story (well, it was written for me), but seriously, it’s really, really good, and you should all go read it at once. (Because I did absurdly well this year, I also have a Madness story: &lt;a href="https://archiveofourown.org/works/13131669"&gt;The polished column&lt;/a&gt;.)&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13124130"&gt;The Wolf Trial&lt;/a&gt;&lt;br /&gt;The Wolf - Phildel (Song)&lt;br /&gt;9thC werewolves, comrades-in-arms who may end up on different sides, what’s not to like?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Some familiarity with at least the general outlines of canon is probably a good thing:&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/collections/yuletide2017/works/13045086"&gt;A Drop of Blood&lt;/a&gt;&lt;br /&gt;Swordspoint, Alec Campion/Richard St Vier&lt;br /&gt;Short character study - Richard is injured.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13054764?view_full_work=true"&gt;First and Second Endings&lt;/a&gt;&lt;br /&gt;Romeo and Juliet, Mercutio/Tybalt, Romeo/Juliet&lt;br /&gt;Nice characterisation, interesting structure. I could have done with less plot - the first parts were excellent, but the happy ending didn’t entirely work for me. But then I tend to prefer tragedies. I still like the first two parts enough to rec it highly, and other people may well find the ending more to their taste.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13075563"&gt;go out the door&lt;/a&gt;&lt;br /&gt;Táng Cháo | Tang Dynasty RPF &lt;br /&gt;Li He IN SPACE. Also written for me. (It's titled from one of my favourite of his poems, and has lovely characterisation. Seriously, this has been a great year for me.)&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/collections/yuletide2017/works/12906588"&gt;Scenes from a Crossing&lt;/a&gt;&lt;br /&gt;Mysterious Mr Quin - Agatha Christie&lt;br /&gt;Casefic. I was going to say it approached nearer to Satterthwaite/Quin than canon does, but thinking about some of the short stories, not by that much.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://archiveofourown.org/works/13041690"&gt;When the Trees Were Enchanted&lt;/a&gt; &lt;br /&gt;Llyfr Taliesin | Book of Taliesin, Mabinogion (Myth)&lt;br /&gt;Great weaving together of several sources, to make a cohesive and convincing whole.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=26575" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:25910</id>
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    <title>quillori @ 2007-02-09T04:15:00</title>
    <published>2017-10-09T02:17:27Z</published>
    <updated>2017-10-09T02:17:27Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;img src="https://quillori.dreamwidth.org/file/7615.jpg" alt="" title="Graham Intro 1" /&gt;&lt;br /&gt;&lt;img src="https://quillori.dreamwidth.org/file/8111.jpg" alt="" title="Graham Intro 2" /&gt;&lt;br /&gt;&lt;img src="https://quillori.dreamwidth.org/file/8211.jpg" alt="" title="Graham Intro 3" /&gt;&lt;br /&gt;&lt;img src="https://quillori.dreamwidth.org/file/7831.jpg" alt="" title="Graham Intro 4" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=25910" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:25800</id>
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    <title>quillori @ 2007-02-09T03:58:00</title>
    <published>2017-10-09T02:02:12Z</published>
    <updated>2017-10-09T02:02:12Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;img src="https://quillori.dreamwidth.org/file/6353.png" alt="" title="Li He preface 1" /&gt;&lt;br /&gt;&lt;img src="https://quillori.dreamwidth.org/file/6552.png" alt="" title="Li He preface 2" /&gt;&lt;br /&gt;&lt;img src="https://quillori.dreamwidth.org/file/6005.png" alt="" title="Li He preface 3" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=25800" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:25102</id>
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    <title>quillori @ 2017-09-28T00:49:00</title>
    <published>2017-09-27T23:44:22Z</published>
    <updated>2017-10-14T17:22:01Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;I had a terrible time narrowing my requests down from 7 to 6, so all fandoms are definitely equally wanted - my perennial requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the new-this-year ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#LCI"&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;a&gt;&lt;br /&gt;&lt;a href="#TRPF"&gt;Táng Cháo | Tang Dynasty RPF&lt;/a&gt;&lt;br /&gt;&lt;a href="#OON"&gt;Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Omar Rayyan - Works&lt;/a&gt;&lt;br /&gt;&lt;a href="#TRW"&gt;The Reluctant Widow - Georgette Heyer&lt;/a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;a href="#IG"&gt;Likes and DNWs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="LCI"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/strong&gt;&lt;/u&gt; - Berenice (Invisible Cities), Euphemia (Invisible Cities)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Tell me something about the trade in memories, or about the entwined decadence and puritanism of Berenice. Or world building about the history or culture of either city. Or the diplomatic relations between cities. (Feel free to take this as 'or' matching, and only write about one of them if you like.)&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRPF"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Táng Cháo | Tang Dynasty RPF&lt;/strong&gt;&lt;/u&gt; - Li Ho | Li He&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He's poems, and what I would really love is a story where that imagery is real - where Li He's life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Omar Rayyan - Works&lt;/strong&gt;&lt;/u&gt; - Lady in Furs, Spanish Mackerel&lt;br /&gt;&lt;br /&gt;&lt;small&gt;A tragic young princess of an underwater kingdom, or a haunting young lady who is more than she seems... One offers worldbuilding (a beautiful and unsettling world almost, but not quite, like ours), one horror impinging on everyday life. Feel free to take this as OR matching, and only write about one.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;The Reluctant Widow - Georgette Heyer&lt;/strong&gt;&lt;/u&gt; - Francis Cheviot&lt;br /&gt;&lt;br /&gt;&lt;small&gt;More Francis Cheviot! Going to his tailor, playing cards, spying, seducing French agents … anything at all.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Retell one of Pu Songling's stories or tell one of your own. Play around with language and allusions or concentrate on plot or on character. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. If you want to stick to a single story, you could look at Shican and Huang's relationship in Cut Sleeve - there's a lot of emotional ground at the end of that story the remains unexamined. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/25102.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=25102" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:24635</id>
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    <title>Trick or Treat Letter</title>
    <published>2017-08-25T00:00:18Z</published>
    <updated>2017-10-01T23:44:55Z</updated>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I'm also Quillori on AO3. All requests are for fic and are equally open to trick or treat.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid1"&gt;Youth on Horseback - Anton Pieck&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid2"&gt;Les Contes d'Hoffmann&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid3"&gt;Diese kalte Nacht&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid4"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid5"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24635.html#cutid6"&gt;In General&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=24635" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:24431</id>
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    <title>Dear Yulegoat</title>
    <published>2017-07-31T16:55:24Z</published>
    <updated>2018-09-21T14:48:57Z</updated>
    <category term="yuletide"/>
    <dw:security>public</dw:security>
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    <content type="html">&lt;a name="TOP"&gt;&lt;/a&gt;I'm also Quillori on AO3. &lt;br /&gt;&lt;br /&gt;I had a terrible time narrowing my requests down from 7 to 6, so all fandoms are definitely equally wanted - my perennial requests have longer prompts, because I work them over every year, adding a bit here and a bit there, but that doesn't mean I'm not equally keen on the new-this-year ones.&lt;br /&gt;&lt;br /&gt;Requested fandoms (links go directly to the relevant portion of the letter):&lt;br /&gt;&lt;br /&gt;&lt;a href="#AER"&gt;Ancient Egyptian Religion&lt;/a&gt;&lt;br /&gt;&lt;a href="#LCI"&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;a&gt;&lt;br /&gt;&lt;a href="#TRPF"&gt;Táng Cháo | Tang Dynasty RPF&lt;/a&gt;&lt;br /&gt;&lt;a href="#OON"&gt;Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/a&gt;&lt;br /&gt;&lt;a href="#ORW"&gt;Omar Rayyan - Works&lt;/a&gt;&lt;br /&gt;&lt;a href="#TRW"&gt;The Reluctant Widow - Georgette Heyer&lt;/a&gt;&lt;br /&gt;&lt;a href="#STC"&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/a&gt;&lt;br /&gt;&lt;a href="#IG"&gt;Likes and DNWs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="AER"&gt;&lt;/a&gt;&lt;u&gt;&lt;strong&gt;Ancient Egyptian Religion&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Something dealing with Imhotep's role as god of science and magic, or with his position as a god who was once a man. Or perhaps one of the less well known stories about Set? Or something about his relationship with his worshippers. Or Thoth/Imhotep, or Thoth&amp;Set (or indeed Thoth/Set), or anything about Thoth and &lt;i&gt;his&lt;/i&gt; worshipers, or the scribes under his protection. A story directly about the god/s, or how their presence speaks to their followers, or a story where their presence hovers always around the edges. Or a hymn, or a story made up from fragments,  ... whatever you like.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid1"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="LCI"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Le città invisibili | Invisible Cities - Italo Calvino&lt;/strong&gt;&lt;/u&gt; - Berenice (Invisible Cities), Euphemia (Invisible Cities)&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Tell me something about the trade in memories, or about the entwined decadence and puritanism of Berenice. Or world building about the history or culture of either city. Or the diplomatic relations between cities. (Feel free to take this as 'or' matching, and only write about one of them if you like.)&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid2"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRPF"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Táng Cháo | Tang Dynasty RPF&lt;/strong&gt;&lt;/u&gt; - Li Ho | Li He&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm fascinated by the imagery of Li He's poems, and what I would really love is a story where that imagery is real - where Li He's life follows much the course it did in reality, but he truly saw a world of ghosts and demons and almost unutterably strange things.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid3"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="OON"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;كتاب ألف ليلة وليلة | Kitaab 'alf layla wa-layla | One Thousand and One Nights&lt;/strong&gt;&lt;/u&gt; - جعفر بن یحیی برمکی | Ja'far ibn Yahya al-Barmaki&lt;br /&gt;&lt;br /&gt;&lt;small&gt;Famous for his power and wealth, and the favour of his Caliph, famed too for his eloquence and liberality, but led suddenly away to death in the midst of all his prosperity by that same Caliph. What sort of man was Ja'far, and did he live always with the knowledge he might fall, or was it an unthinkable betrayal?&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid4"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="ORW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Omar Rayyan - Works&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;The world's calmest and most collected fox, a very strange morning after, a tragic young princess of an underwater kingdom, a haunting young lady who is more than she seems...&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid5"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="TRW"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;The Reluctant Widow - Georgette Heyer&lt;/strong&gt;&lt;/u&gt; - Francis Cheviot&lt;br /&gt;&lt;br /&gt;&lt;small&gt;More Francis Cheviot! Going to his tailor, playing cards, spying, seducing French agents … anything at all.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid6"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="STC"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;u&gt;&lt;strong&gt;Liáo zhâi zhì yì | Strange Tales from a Chinese Studio - Pú Sônglíng&lt;/strong&gt;&lt;/u&gt; - Any&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I'm interested to see whatever you choose to make of this. Retell one of Pu Songling's stories or tell one of your own. Play around with language and allusions or concentrate on plot or on character. You could do something with the ever present fox spirits - they're viewed in such a range of ways, from meriting death through to the ambivalence of stories such as Cut Sleeve to admirable heroines (e.g. in Lotus Fragrance). Or you could do something with the relation of dreams to reality, or the extent to which stories are a type of dream. If you want to stick to a single story, you could look at Shican and Huang's relationship in Cut Sleeve - there's a lot of emotional ground at the end of that story the remains unexamined. Make your language as densely allusive or as simple as you please, your tone as light or as dramatic as you want. Gen, slash, het; light-hearted, bitingly satirical, restrained or sly or melancholy ... anything that strikes your fancy.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid7"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name="IG"&gt;&lt;/a&gt;&lt;hr size="3" noshade="noshade"&gt;&lt;strong&gt;In General&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;I really would prefer you to write the best story you can, and one you're happy with, rather than trying unsuccessfully to do something that doesn't suit you to fit what I asked for. I'm most interested in what you, dear writer, make of the source material.&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://quillori.dreamwidth.org/24431.html#cutid8"&gt;Read More&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;/a&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=24431" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-25:123741:24181</id>
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    <title>Le Roi d’Aquitaine - Lyrics</title>
    <published>2017-03-26T09:20:19Z</published>
    <updated>2017-03-26T09:20:19Z</updated>
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    <content type="html">A grey duck, a blue duck, a white duck...&lt;br /&gt;The grey one walks behind the the blue one ahead.&lt;br /&gt;The white one is the biggest, I'll sell it for twenty francs.&lt;br /&gt;The blue one is quite small, I'll sell it for six francs.&lt;br /&gt;&lt;br /&gt;The King of Aquitaine,&lt;br /&gt;if he comes to the market&lt;br /&gt;to serve the queen,&lt;br /&gt;he'll send for me.&lt;br /&gt;The King of Aquitaine&lt;br /&gt;will take my hand.&lt;br /&gt;Too bad for the queen,&lt;br /&gt;tomorrow.&lt;br /&gt;&lt;br /&gt;A grey prince, a blue prince, a white prince...&lt;br /&gt;The white one has rubies, and the blue, diamonds.&lt;br /&gt;The grey one has his crown and his sword at his side.&lt;br /&gt;The blue loves me the best, and I love best the white.&lt;br /&gt;&lt;br /&gt;The King of Aquitaine,&lt;br /&gt;if he comes to the market&lt;br /&gt;to serve the queen,&lt;br /&gt;he'll send for me.&lt;br /&gt;The King of Aquitaine&lt;br /&gt;will take my hand.&lt;br /&gt;Too bad for the queen,&lt;br /&gt;tomorrow.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Lyrics as sung:&lt;/b&gt;&lt;br /&gt;Un canard gris, un canard bleu, un canard blanc...&lt;br /&gt;Le gris marche derrière et le bleu va devant.&lt;br /&gt;C'est le blanc le plus gros, je le vendrai vingt francs.&lt;br /&gt;Le bleu est tout petit, je le vendrai six francs.&lt;br /&gt;&lt;br /&gt;Le Roi d'Aquitaine,&lt;br /&gt;s'il vient au marché&lt;br /&gt;pour servir la Reine,&lt;br /&gt;m'enverra chercher.&lt;br /&gt;Le Roi d'Aquitaine&lt;br /&gt;me prendra la main.&lt;br /&gt;Tant pis pour la Reine,&lt;br /&gt;demain.&lt;br /&gt;&lt;br /&gt;Un prince gris, un prince bleu, un prince blanc...&lt;br /&gt;Le blanc a des rubis et le bleu des diamants.&lt;br /&gt;Le gris a sa couronne et son épée au flanc.&lt;br /&gt;Le bleu m'aime le mieux et j'aime mieux le blanc.&lt;br /&gt;&lt;br /&gt;Le Roi d'Aquitaine,&lt;br /&gt;s'il vient au marché&lt;br /&gt;pour servir la Reine,&lt;br /&gt;m'enverra chercher.&lt;br /&gt;Le Roi d'Aquitaine&lt;br /&gt;me prendra la main.&lt;br /&gt;Tant pis pour la Reine,&lt;br /&gt;demain.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=quillori&amp;ditemid=24181" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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